Experiment 2, Submission Links

3D Warehouse and Lumion Files
5 Lumion Shots
Personal Analysis of the marker
36 Custom Textures and Application
Final concept chosen and curvature areas
Axonometric 13 - 18: Electro-liquid aggregation
Axonometric 7 - 12: Kazuo Shinohara
Axonometric 1 - 6: Peter Stutchbury
Concepts

Extra images

Submission: 3d Warehouse and Lumion Folders

Sketchup 3D Warehouse:

https://3dwarehouse.sketchup.com/embed.html?mid=ud3a475aa-3c1f-426a-a036-bf85c833312d&width=400&height=300" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" width="400" height="300" allowfullscreen></iframe>

Lumion Dropbox Folder

https://www.dropbox.com/sh/gnzsvpalx2k0qgx/AABbA2C6SOmaSKJJ7Guo5MBka?dl=0

Submission: Lumion Shots

THE JOURNEY

Created a short video to give a better feel from the visitors perspective as they ride through the 3 sections.

Submission: Personal Marker Analysis

With aims to create a journey for visitors exploring the history and appreciation of the Blacktown International Sports Park. The marker is divided into 3 sections;

1. Sustainability symbolising the land, before ownership.

2. Aboriginal symbolising the traditional owner of the land.

3. Technological symbolising Blacktown council.

Sun path calculated on
http://suncalc.net/#/-33.7716,150.8504,17/2015.05.09/17:06

Submission: 36 Textures

Submission: Final Concept (Curvature)

Concepts:

1. Framing of nature by a mix of formality and informality (Stutchbury)

2. Progressive anarchy, using chaos to fix "chaos" (Shinohara)

Submission: AXO 13 - 18: Electro-liquid Aggregation

Submission: AXO 7 - 12: KAZUO SHINOHARA

Submission: AXO 1 - 6: PETER STUTCHBURY

10 Concepts created as a class

Peter Stutchbury

1.       blurring of space by A mix of formality and informality

2.       Framing of nature by A mix of formality and informality

3.       Use of thin materials to minimise the distinction between the constructed and the natural world

4.       The effect of time on natural light, thus the shadows

5.       A play of natural lighting through slits in the walls and roof linking to nature

Kazuo Shinohara

1.       Creates an illusion of space using high walls and single elements

2.       Using logical shapes to create illogical movements

3.       Incomplete building, exposing the “skeleton” of the structure.

4.       Progressive anarchy, using chaos to fix “chaos”

5.       Simple and minimal components to achieve something “great”